Micron Document




Good Machine
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Good Machine Productions was an American independent film production, film distribution, and foreign sales company started in the early 1990 by its co-founders and producers, Ted Hope and James Schamus. David Linde joined as a partner in the late 1990s and also started the international sales company Good Machine International.cite-ref-1[1] They sold the company to Universal Pictures,cite-ref-0-2-0[2] where it was then merged with USA Films and Universal Focus to create Focus Features.cite-ref-3[3] Hope, along with the heads of production development and business affairs (Anthony Bregman, Anne Carey, and Diana Victor) then went on to form the independent production company This Is That Productions. Schamus and Linde became co-presidents of Focus Features.cite-ref-1-4-0[4]

In 2001, the Museum of Modern Art celebrated the tenth anniversary of Good Machine's work, commemorating their support of international and domestic filmmakers.cite-ref-5[5]

Contents


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Background

Good Machine was involved in production and/or distribution of a number of films, including Ang Lee's The Ice Storm and Ride with the Devil; Hal Hartley projects such as Flirt (1995), Edward Burns's The Brothers McMullen, Todd Solondz's Happiness, and Todd Field’s In the Bedroom.cite-ref-6[6]

History

In 1997, it was announced that Good Machine would become the foreign sales agent of films produced and distributed by October Films, in order to acquire worldwide rights of the films.cite-ref-7[7] In 1998, it struck a deal with Universal.cite-ref-8[8] Previously, the company had a one-time production deal with 20th Century Fox, which was signed in 1996.cite-ref-9[9] It was dismantled in 2002, when it merged with Focus Features.cite-ref-10[10] In 2001, Good Machine struck a deal with Radar Pictures to finance and distribute their films for international releases.cite-ref-11[11] The deal was continued as Good Machine was absorbed into Focus.cite-ref-12[12]

Disbandment

In 2002, Good Machine was acquired by Universal Pictures.cite-ref-0-2-1[2] James Schamus and David Linde remained with Universal, serving as co-presidents of Focus Features.cite-ref-1-4-1[4]

Ted Hope chose to part with the company to form the This is that Corporationcite-ref-13[13] (This Is That Productions) with Good Machine Director of Development Anne Carey, Director of Production Anthony Bregman, and Director of Business Affairs Diana Victor. Under the This Is That banner they produced films such as Adventureland, The Savages, and Eternal Sunshine of the Spotless Mind.cite-ref-14[14]

Filmography

The Hours and Times (1991) — US distribution
Keep It for Yourself (1991) — co-produced with Allarts
Pushing Hands (1991) ― co-produced with Central Motion Pictures
Simple Men (1992) — co-produced with Fine Line Features
The Wedding Banquet (1993) ― co-produced with Central Motion Pictures
Eat Drink Man Woman (1994) ― co-produced with Central Motion Pictures
What Happened Was (1994) — co-produced with Genre Films
The Brothers McMullen (1995) – co-produced with Videography Prods.
Flirt (1995)
Safe (1995) — co-produced with American Playhouse and Channel Four Films
She's the One (1996) — co-produced with Marlboro Road Gang Productions and South Fork Pictures
Walking and Talking (1996) — co-produced with Channel Four Films, Zenith Productions, Pandora Film, PolyGram Filmed Entertainment, Makido Films (France), Electric, and TEAM Communications Group
Arresting Gena (1997) – co-produced with Kardana/Swinsky Filmscite-ref-15[15]
The Ice Storm (1997)
Office Killer (1997) — co-produced with Strand, Kardana/Swinsky Films, and Good Fear
The Sticky Fingers of Time (1997) – co-produced with Crystal Picturescite-ref-16[16]
Happiness (1998) — Good Machine Releasing
No Looking Back (1998) — co-produced with Polygram Filmed Entertainment Group, Marlboro Road Gang, and South Fork Pictures
Xiu Xiu: The Sent Down Girl (1998) — Good Machine International
Bride of Chucky (1998) — Good Machine Internationalcite-ref-17[17]
The Last Days (1998) – Good Machine International; co-produced with October Filmscite-ref-variety1-18-0[18]
The Naked Man (1999) – Good Machine Internationalcite-ref-variety1-18-1[18]
The Lifestyle (1999) — co-produced with Swinging T Productions
Ride with the Devil (1999) — co-produced with USA Films
The Muse (1999) – Good Machine International; co-produced with October Filmscite-ref-variety1-18-2[18]
Trick (1999) — co-produced with Fine Line Features
Three Seasons (1999) – Good Machine International; co-produced with October Filmscite-ref-variety1-18-3[18]
Cherry Falls (1999) – Good Machine Internationalcite-ref-19[19]
A Conversation with Gregory Peck (1999) – Good Machine Internationalcite-ref-20[20]
This Year's Love (1999) – Good Machine Internationalcite-ref-21[21]
Crouching Tiger, Hidden Dragon (2000) — Good Machine International; co-produced with Asian Union Film & Entertainment, China Film Co-Productions Corporation, Sony Pictures Classics, Columbia Pictures Film Production Asia, Edko Films, and Zoom Hunt Productions
The King Is Alive (2000) – Good Machine International; co-produced with Newmarket Capital Groupcite-ref-22[22]
Walk the Talk (2000) – Good Machine Internationalcite-ref-23[23]
Buffalo Soldiers (2001) — co-produced with FilmFour, Grosvenor Park Productions, and Odeon Film
Human Nature (2001) — co-produced with StudioCanal
In the Bedroom (2001) — co-produced with Eastern Standard Film Company and GreeneStreet Films
Lovely & Amazing (2001) — co-produced with Blow Up Pictures
Series 7: The Contenders (2001) – Good Machine International; co-produced with Blow Up Picturescite-ref-24[24]
Storytelling (2001) — co-produced with Killer Films and New Line Cinema
Y tu mamá también (2001) — Good Machine International
Adaptation (2002) — co-produced with Columbia Pictures, Intermedia, and Propaganda Films
The Laramie Project (2002) — co-produced with HBO Films
Talk to Her (2002) – co-produced with El Deseocite-ref-25[25]
Laurel Canyon (2003) – co-produced with Sony Pictures Classicscite-ref-26[26]

References

cite-note-11. citerefmcclintock2011McClintock, Pamela (9 September 2011). "James Schamus' Life on the Film Festival Circuit". The Hollywood Reporter. Retrieved 9 September 2011.
cite-note-0-22. citerefverrier2002Verrier, Richard (2002-05-03). "Universal Studios to Acquire Good Machine". Los Angeles Times. ISSN 0458-3035. Archived from the original on 2015-09-13. Retrieved 2017-10-30.
cite-note-33. "Universal buys Good Machine and merges it with USA Films". Screen. Retrieved 2017-10-30.
cite-note-1-44. citerefanderson2016Anderson, Ariston (11 May 2016). "Locarno Film Fest to Honor Producer David Linde". The Hollywood Reporter. Retrieved 11 May 2016.
cite-note-55. "Museum of Modern Art celebrates Good Machine's 10th anniversary," The Advocate (FEBRUARY 13 2001).
cite-note-66. citerefmacnab-geoffrey2013Macnab, Geoffrey (2013). FilmCraft. Producing. Swart, Sharon. Burlington, MA: Focal Press. ISBN 978-0240823744. OCLC 859154290.
cite-note-77. "October Machine-ready". Variety. 1997-07-31. Retrieved 2022-01-01.
cite-note-88. citerefpetrikin1998Petrikin, Chris (1998-08-27). "U tools deal with Good Machine". Variety. Archived from the original on 2023-12-17. Retrieved 2021-06-14.
cite-note-99. citerefroman1997Roman, Monica (1997-05-08). "MACHINE FOR HIRE". Variety. Retrieved 2022-01-01.
cite-note-1010. citerefharrisdiorio2002Harris, Dana; DiOrio, Carl (2002-05-03). "Good Machine buy alters Focus at U". Variety. Retrieved 2021-06-14.
cite-note-1111. citerefdunkleyharris2001Dunkley, Cathy; Harris, Dana (February 23, 2001). "Pix on the Radar". Variety. Retrieved October 1, 2024.
cite-note-1212. citerefdawtrey2002Dawtrey, Adam (May 20, 2002). "Radar fixes Focus on 'Casca'". Variety. Retrieved October 1, 2024.
cite-note-1313. Macaulay, Scott. "Indie Film is Alive," Archived 2021-01-17 at the Wayback Machine Filmmaker Magazine (Sep. 14, 2017).
cite-note-1414. Pond, Steve. "Ted Hope, Anne Carey Shut Doors, Stay in Business," Archived 2019-11-06 at the Wayback Machine The Wrap (Sept. 28, 2010).
cite-note-1515. citereflevy1997Levy, Emanuel (February 8, 1997). "Arresting Gena". Variety. Archived from the original on September 21, 2024. Retrieved September 21, 2024.
cite-note-1616. citerefstratton1997Stratton, David (October 13, 1997). "The Sticky Fingers of Time". Variety. Archived from the original on September 27, 2020. Retrieved September 21, 2024.
cite-note-1717. citerefdawtrey1998Dawtrey, Adam (September 9, 1998). "Good Machine goes genre with 'Chucky'". Variety. Retrieved September 12, 2024.
cite-note-variety1-1818. citerefcarver1999Carver, Benedict (February 25, 1999). "Good Machine moves 'Muse,' 'Trick,' others". Variety. Archived from the original on September 21, 2024. Retrieved September 21, 2024.
cite-note-1919. citerefcarver1999Carver, Benedict (May 24, 1999). "Pics in Good mood". Variety. Archived from the original on September 21, 2024. Retrieved September 21, 2024.
cite-note-2020. citerefharris2000Harris, Dana (April 27, 2000). "Good Machine gears up to rep 'Peck' overseas". Variety. Retrieved September 21, 2024.
cite-note-2121. citerefdawtrey1999Dawtrey, Adam (February 2, 1999). "Good Machine in 'Love'". Variety. Archived from the original on September 21, 2024. Retrieved September 21, 2024.
cite-note-2222. "IFC Films Acquires The King Is Alive From NewMarket And Good Machine International". AMC Networks. November 7, 2000. Retrieved September 21, 2024.
cite-note-2323. citerefgoldsmithcox2000Goldsmith, Jill; Cox, Dan (May 10, 2000). "GMI talks the 'Talk'". Variety. Retrieved September 21, 2024.
cite-note-2424. citerefharris2000Harris, Dana (September 12, 2000). "Good Machine scores 'Series 7' rights". Variety. Archived from the original on September 21, 2024. Retrieved September 21, 2024.
cite-note-2525. citerefhopewell2002Hopewell, John (March 26, 2002). "Almodovar looks tight with Good Machine". Variety. Archived from the original on September 21, 2024. Retrieved September 21, 2024.
cite-note-2626. citerefharris2002Harris, Dana (February 23, 2002). "Good Machine navigates 'Laurel Canyon'". Variety. Archived from the original on September 21, 2024. Retrieved September 21, 2024.

External links

• Contemporary Independent Film